What do teachers who refuse to sing the national anthem teach children? Kimigayo is the very essence of Japanese culture that has been passed down since ancient times.
2022-12-05
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``Kimigayo'' is a tanka poem that appears in the Kokin Wakashu. In the Kokin Wakashu, it begins with ``Waga Kimi wa.'' It was put to music during the Meiji period, and officially became Japan's national anthem in １９９９, when the ``Law Concerning the National Flag and Anthem'' was enacted. Until then, it had been handed down from ancient times in Japan.
Does it matter for whom Kimigayo was composed? The main idea is to pray for the eternal prosperity of the other person's life, family, and descendants, and it is important that the concept of eternity is expressed as ``until the rocks turn into rocks and become covered with moss.'' It is included in the anthology of ancient and modern waka poems because its outstanding expressiveness moved people, and it has been passed down from generation to generation. If you were not familiar with the poems in the Heian period, it is clear that they had been written and loved long before that.
It was composed at various celebratory occasions, and it no longer matters who the author wrote it for. Since the Meiji era, songs have been written about You as the Emperor, and if you value His Majesty the Emperor, who is also a symbol of the Meiji Restoration, it is no wonder that people sing it like that.
If this song exists to help us imagine and pass on the spirituality of the ancient Japanese people when they prayed for the happiness of others, what on earth should Japanese educators teach? I wonder if it is.
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What is the origin of the name Zero Fighter? The concept of imperial history was eliminated and it was excluded from school education.
Zero is the best fighter plane in the world
Zero Fighter adopted in 2600 of the Imperial Era
Where did the concept of imperial history disappear?
The concept of Japanese imperial history
Lost Imperial Era
The imperial period is the very history of Japan
The world's best fighter plane, the former Japanese military's pride, is the Zero Fighter. The Zero fighter is a carrier-based fighter that was adopted by the Japanese Navy in 1940. The aircraft boasted the world's lightest weight, and above all, the pilot's proficiency is said to have been at the highest level at the time of the attack on Pearl Harbor.
The number 0 in Zero Fighter comes from the last two digits of 00 in the year 2600 of the Imperial era. This is a surprisingly unknown fact. In history classes at school, we learn about kamikaze attacks and the Zero Fighter, but I don't remember ever hearing the concept of the imperial era.I wonder what that means.
In fact, many Japanese people don't even know the concept of the imperial period. If that's the case, there's no reason why the 0 in Zero Fighter has any meaning. It's very strange. The Koki is Japan's unique calendar that starts from the year in which the first emperor, Emperor Jimmu, ascended the throne.
This year is the 2682nd year of the Imperial Era, so it is simple and clear that it has been 82 years since the Type 0 fighter was adopted. That would be 2682 years after Japan worshiped the Emperor and demonstrated its national polity. This shows the number of years that Japan is considered to be the longest-lasting country in the world.
It's a mystery why they stopped using the concept of imperial history at all. When I looked into it, I found that there was no scientific basis for it, such as whether Emperor Jinmu actually existed, or whether February 11th (Koki New Year) was really the founding day of Japan.
And it seems that due to GHQ's wishes, the National Foundation Day itself has been abolished. So what exactly is Western history based on the birth of Jesus Christ?
Japan is the longest-lasting nation in world history. Its history and culture have been formed within the framework of the nation that has been inherited. The most straightforward time scale for Japan's long history and culture can be said to be the imperial period.
Although the concept of era name remains, there is no concept of imperial period. This is not to say that history textbooks and all Western calendar notations should be replaced with the Imperial Period. At the very least, we should recognize that Japan's history is long and that Japanese children were born into it, and that we have some role to play in inheriting it, and that we should be proud of it. The revival of is important.
A celebration of shadows, a blend of Japanese and Western Japan.The continent abolished writing and destroyed its past.A completely different approach to history.
Japanese culture and shadow worship
Beautiful Japanese lacquerware in the dim light
Japanese aimed for balance and harmony
What was done on the continent was the denial of the past
Kanji abolished in Korea
The introduction of simplified Chinese makes it difficult to read the past
If you can't read past documents, you can't read history
Learn ancient Japanese and Chinese texts
A continent that burns the past and creates history
Japan's imperial family continued to exist
When I think about Japanese culture, I sometimes think of Junichiro Tanizaki's ``In Praise of Shadows.'' He remembers that during his junior high school Japanese class, he encountered some difficult sentences and had trouble understanding them. He talked about how you can rediscover the wonders of Japanese culture by learning about the background in which that culture was born.
Japanese lacquerware is based on black, and Japanese lacquerware was created in an era without electricity to create a beautiful appearance on a dimly lit dining table lit by candles. It was explained that.
White plates and glass cups became prized, perhaps because black dishes didn't look good in the light of a light bulb. However, if you eat on Japanese tableware in the dim darkness of candlelight, you will notice something beautiful about it.
To put it simply, in Japan there is a term called fusion of Japanese and Western styles. During the Meiji and Taisho eras, a large amount of Western culture flowed into Japan, but the Japanese strived to balance and harmonize with Japan's ancient culture. This is inheritance based on compatibility and harmony.
Yukichi Fukuzawa described Western culture as being like an epidemic. He preached that resisting these things would not prevent them from becoming infected, so we needed to think in terms of accepting them.
Japan sought compatibility and harmony not only in vessels and cultural customs, but also in the letters and documents that conveyed them.
On the other hand, what happened on the continent seems to be different. What is China's Cultural Revolution? In introducing socialism and communism, it was a movement to destroy the historical Chinese culture that they were proud of, and they actually destroyed cultural properties and slaughtered the people who had protected them.
What about in Korea? After becoming an independent country after the war, in 1948, it was decided that official documents should be written in Hangul under the Hangul Special Law, and in 1970, the abolition of Chinese characters was declared, and Chinese characters began to disappear from textbooks one after another. It seems that there is no problem with using Hangul as the national script, but by abolishing Hanja, it became impossible to read past documents. Efforts to abolish writing are incomprehensible to Japanese people.
The same meaning applies to simplified characters (current Chinese characters that have been simplified and symbolized), which were introduced during China's Cultural Revolution. By replacing Traditional Chinese (old Chinese characters) with simplified Chinese, people who received subsequent schooling were unable to read documents written in Traditional Chinese in the past.
Currently, traditional Chinese characters are used in Japan, Taiwan, and Hong Kong. This was because he wanted to be influenced by the Cultural Revolution.
Particularly in South Korea, historical perceptions change so freely that one major reason can be said to be the inability to approach past documents.
Documents from the Japanese colonial period and even earlier were written in Chinese characters, and modern Koreans are unable to read any of them. You probably don't even want to read it. Does it mean that history does not already exist in documents?
As an Asian, this is truly deplorable and pitiful. Is it possible to foster national consciousness and culture in this way? Both of these are unthinkable in Japan.
Japan continued to utilize the writings of the past, reinforcing the sounds with hiragana called Manyogana and inventing Japanese writing.
Texts from the past also have different phrasing and adjectives, so in Japanese education, we study classical and Chinese texts and try to read past documents. This is to experience the way of thinking and cultural customs of Japanese people who lived in the past.
To begin with, the history of the continent is one in which kings kill other kings due to wars, and dynasties change. At that time, many things built by past dynasties will be destroyed, creating a structure in which a good king reigns after defeating a bad king. At that time, something called ``book burning'' is performed. Documents from the previous dynasty were burned and destroyed. The destruction and fabrication of history is not new.
The only dynasty in Japan exists outside of the imperial family, and the Japanese imperial family has been protected and maintained through all eras. The Japanese never thought of abolishing the imperial family in any social change. For this reason, we can know that Japan existed with the Emperor even during the #Imperial Era.
In other words, the continent's approach to the past and Japan's approach to the past are fundamentally different.
Japanese industrial machinery Most Korean manufacturing industrial machinery is made in Japan.Industrial robots are called the world's Big Four: FANUC (Japan), Yasukawa Electric (Japan), KUKA (Germany), and ABB (Switzerland).Kawasaki Heavy Industries (Japan) and Fujikoshi (Japan) are included in the top six.Of course, modern products are made by machines.Machines are also needed to make machines.
Have tattoos been common among Japanese people since ancient times? When did the current tattoo culture disappear? fashion?
You may hear people say that Japan does not have a culture of tattooing, but tattooing is actually an ancient Japanese culture. In Gishi Wajinden, it is written that Wa people liked tattoos, and both men and women had tattoos on their faces and all over their bodies. People in China and the peninsula don't have tattoos. It is said that these things are not done due to Confucianism. This is not a recommendation. People who don't want to don't have to.
Many cultures were introduced to Japan from southern China, and there were people living in what is now Southeast Asia in the southern part. The method of preserving fish in vinegared rice, which is the origin of sushi, is said to have come from Southeast Asia, where tattoos are common. Sake is said to have originated from southern China's Shaoxing wine, which was originally made from sake-brewing technology that was brought to Japan. Northern China has a field farming culture, and southern China has a rice farming culture.
Tattoos began to be banned in Japan due to the influence of Confucianism. Even so, Toyama Kinshiro Kagemoto of Toyama Kin-san had a tattoo. Even judges had tattoos back then. It is said that tattoos were completely banned after the Meiji Restoration. The reason is for westernization. Even in the West, some people got tattoos, but they were only one-point tattoos, and they were not tattoos that covered the entire body like in Japan at the time. Amid these regulations, Japan's tattoo culture was inherited by the world of chivalry.
Due to this background, tattoos came to be considered anti-social forces. This is now called Japanese culture. Furthermore, in Japan, the anti-organized crime law was enacted in 1992, placing significant restrictions on the activities of anti-social forces in general society, and these groups are currently on the decline, with public baths now being sought after in the city. You no longer see people who were once members of organized crime groups.
Young people in Japan now have tattoos as a fashion item. In other words, they seem to be trying to create their own individuality by drawing something on their bodies, just like the Japanese of old. The pattern is a so-called tattoo that looks good on clothes. Tourists coming from foreign countries are told that if they have a tattoo, they won't be able to go to the traditional Japanese hot springs that they were looking forward to, so they wrap them in some kind of cloth to hide it, but they are told that the cloth is also bad. It seems that there are cases where the application is refused. On the contrary, it is said that young Japanese people with tattoos cannot go to hot springs, which is a part of Japanese culture.
You may be wondering what I'm trying to say, but Japanese people need to protect the culture of public baths, which is unique to Japan, in a healthy manner. Nowadays, it seems that men who are women at heart are thinking about how to bathe women.
The Rose of Versailles is a Japanese work that was a big hit in Western Europe - Lady Oscar in France.
Beautiful Oscar in male clothing
A fictional story that doesn't exist
The Rose of Versailles became very popular in Europe
The royal family was the axis of opposition to democracy
Japanese culture focuses on the enemy
Former President Moon Jae-in says South Korea started the French Revolution
The Rose of Versailles is a manga that was serialized from 1972 to 1973. It was adapted into a stage play by the Takarazuka Revue Company and became a big hit, attracting attention and being made into an anime. The story takes place on the eve of the French Revolution. The main character, Oscar, is a woman, and as a beautiful woman dressed as a man, she is beautiful and strong, and is as good as any man. She later serves as the commander of Marie Antoinette's bodyguard when she is executed.
This is a work that frankly depicts his relationship with Andre, a man who is in love with Oscar, and his personal and romantic relationship with Marie Antoinette, who is protected by Oscar. What is surprising is that the main characters Oscar and Andre in the worldview of this magnificent work do not actually exist.
As you know, Louis XVI and Marie Antoinette were publicly executed by guillotine during the French Revolution. In other words, this work depicts the French royal family, who were the enemy of the people at the time. The animated work has been broadcast in Europe and is extremely popular. Of course, it was also very popular in France.
This work was created by Japan, an island nation in the East that has little cultural or historical contact with the West. On the other hand, if a Westerner created a work depicting the Edo period, would it be appealing to Japanese people?
The French Revolution was a major event that transformed France into democracy, and had the energy to change world history. In that sense, the French royal family at the time could be said to be war criminals in World War II and Hitler in Germany.
Steven Spielberg's ``Schindler's List'' is a work that depicts the human condition from the perspective of Hitler and the Nazis. In other words, The Rose of Versailles can be said to be a magnificent piece of work that shines a spotlight on what is considered evil in history.
Why don't the Korean people, who have the highest human rights consciousness in the world, condemn works such as Schindler's List and The Rose of Versailles? The Korean people who are familiar with the Nazis and Jews should be educating the people of the world. Former President Moon Jae-in told former President Macron that ``Korea started the French Revolution'' regarding the impeachment of Park Geun-hye.
